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Thirteen Moons

A Novel

Audiobook
1 of 1 copy available
1 of 1 copy available
This magnificent novel by one of America’s finest writers is the epic of one man’s remarkable journey, set in nineteenth-century America against the background of a vanishing people and a rich way of life.

At the age of twelve, under the Wind moon, Will is given a horse, a key, and a map, and sent alone into the Indian Nation to run a trading post as a bound boy. It is during this time that he grows into a man, learning, as he does, of the raw power it takes to create a life, to find a home. In a card game with a white Indian named Featherstone, Will wins – for a brief moment – a mysterious girl named Claire, and his passion and desire for her spans this novel. As Will’s destiny intertwines with the fate of the Cherokee Indians – including a Cherokee Chief named Bear – he learns how to fight and survive in the face of both nature and men, and eventually, under the Corn Tassel Moon, Will begins the fight against Washington City to preserve the Cherokee’s homeland and culture. And he will come to know the truth behind his belief that “only desire trumps time.”
Brilliantly imagined, written with great power and beauty by a master of American fiction, Thirteen Moons is a stunning novel about a man’s passion for a woman, and how loss, longing and love can shape a man’s destiny over the many moons of a life.
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    • AudioFile Magazine
      Charles Frazier's combination of poetic prose and cracker-barrel plainness is tailor-made for Will Patton's familiar folksy voice. Patton plunges listeners into the life of frontiersman Will Cooper, the aged, cantankerous narrator. Patton shines as Cooper reflects on the natural world and somewhat reluctantly tells the story of his life from bound-boy to lawyer, from senator to white Indian chief experiencing the demise of the Cherokee Nation. Frazier's period diction and sense of place are uncanny, but stock characters and his romanticized vision become obstacles. Happily, Patton avoids falling into the "bad" soldier/"good" Indian stereotype. His inflections create subtlety and human dimension on both sides. The book is good. Will Patton's performance is better. S.J.H. (c) AudioFile 2007, Portland, Maine
    • Publisher's Weekly

      Starred review from August 28, 2006
      When Frazier's debut Cold Mountain
      blossomed into a National Book Award–winning bestseller with four million copies in print, expectations for the follow-up rose almost immediately. A decade later, the good news is that Frazier's storytelling prowess doesn't falter in this sophomore effort, a bountiful literary panorama again set primarily in North Carolina's Great Smoky Mountains. The story takes place mostly before the Civil War this time, and it is epic in scope. With pristine prose that's often wry, Frazier brings a rough-and-tumble pioneer past magnificently to life, indicts America with painful bluntness for the betrayal of its native people and recounts a romance rife with sadness.
      In a departure from Cold Mountain
      's Inman, Will Cooper narrates his own story in retrospect, beginning with his days as an orphaned, literate "bound boy" who is dispatched to run a musty trading post at the edge of the Cherokee Nation. Nearly nine mesmerizing decades later, Will is an eccentric elder of great accomplishments and gargantuan failures, perched cantankerously on his front porch taking potshots at passenger trains rumbling across his property (he owns "quite a few" shares of the railroad). Over the years, Will—modeled very loosely, Frazier acknowledges, on real-life frontiersman William Holland Thomas—becomes a prosperous merchant, a self-taught lawyer and a state senator; he's adopted by a Cherokee elder and later leads the clan as a white Indian chief; he bears terrible witness to the 1838–1839 Trail of Tears; a quarter-century later, he goes to battle for the Confederacy as a self-anointed colonel, leading a mostly Indian force with a "legion of lawyers and bookkeepers and shop clerks" as officers; as time passes, his life intersects with such figures as Davy Crockett, Sen. John C. Calhoun and President Andrew Jackson.
      After the Civil War, Will fritters away a fortune through wanderlust, neglect and unquenched longing for his one true love, Claire, a girl he won in a card game when they were both 12, wooed for two erotic summers in his teen years and found again several decades later. In the novel's wistful coda, recalling Claire's voice inflicts "flesh wounds of memory, painful but inconclusive"—a voice that an uncertain old Will hears in the static hiss when he answers his newfangled phone in the book's opening pages. The history that Frazier hauntingly unwinds through Will is as melodic as it is melancholy, but the sublime love story is the narrative's true heart.

    • AudioFile Magazine
      THIRTEEN MOONS is a triumph. With a voice filled with nuance and grit, Will Patton is the perfect choice to recount the story of Cooper, from the age of 12, when he sets off to run a remote Indian trading post by himself, to his final years as an elderly statesman. Patton effectively portrays the characters Cooper meets along the way: Claire, his beloved; Featherstone, her husband; and Bear, the Cherokee chief who adopts Will and sets him on the path to protect family land and the Cherokee way of life. Acoustic guitar and fiddle signal chapter breaks and set the tone. Frazier's prose and Patton's narration are perfectly matched. D.J.P. (c) AudioFile 2007, Portland, Maine

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