Phoenix

May 15, 2013
The turgid adventures of a half-breed vampire and the human girl who loves him continue (Black City, 2012). Having been crucified and burned and then resurrected, Ash is now known as the Phoenix, the poster boy for the Humans for Unity rebellion (though far from a Christ figure, despite obvious symbolism). On the eve of the vote that will determine whether vampire Darklings and other Impurities will be permanently confined in ghettos, he proposes to girlfriend Natalie, who accepts with cloyingly girlish delight. The vote goes badly; evil dictator Purian Rose cracks down on Black City. With sexy Bastet Elijah, Ash and Natalie flee, hoping to find a supposed superweapon that can shift the balance of power. (In addition to humans and vampires, this alternative, weakly steampunk-y North America has cat- and wolf-people, though their attributes are as arbitrary as everything else.) The boilerplate dystopian present-tense narration alternates between Ash's and Natalie's identical voices, ploddingly describing every action and overwrought emotion. Natalie worries she is infected with the Wrath, a deadly vampire disease; in order to spare Ash, she hides it from him, a transparent and tedious device evidently meant to boost the romantic tension. People die, bloodily; allies turn traitor; breasts heave. When Natalie isn't engaging in unlikely heroics, she vomits a lot--is it the Wrath, or...? Just as dreadful as the first book. (Paranormal romance. 14 & up)

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October 1, 2013

Gr 8 Up-In this follow-up to Black City (Putnam, 2012), half-Darkling Ash and human Natalie continue to pursue their forbidden romance while fighting totalitarian ruler Purian Rose. In a dystopia newly revealed as an alternate North America, Ash has become a walking symbol for unity, and each side has acquired new allies: the wolflike Lupines sniff out Rose's enemies while the feline Bastets join the resistance. After a rigged vote gives Rose a mandate for racial segregation, Ash and Natalie set off to find a hidden biological weapon. Jealousy soon erupts when Ash suspects Natalie of cheating on him with their new companion, Bastet Elijah. The writing is sloppy, details are inconsistent or unexplained, and decontextualized references to World War II (children relocated by train, undesirables referred to as "vermin") rankle. Promising plot points are introduced and then seemingly abandoned, but the conclusion ties up loose ends and provides a ready opening for the third book. As was the case in Black City, pithy phrases abound ("Hope isn't a luxury I have anymore")-and although constant misunderstandings between Ash and Natalie provide narrative tension, readers might wonder why this supposedly strong relationship is so devoid of honesty and trust. The amplified emotions, perpetual narrow escapes, and paranormal love triangle will attract teens craving a pastiche of familiar elements from Twilight and The Hunger Games, but those looking for nuance or originality will want to seek out more sophisticated alternatives.-Jill Ratzan, I. L. Peretz Community Jewish School, Somerset, NJ

Copyright 2013 School Library Journal, LLC Used with permission.

July 1, 2013
Human Natalie and vampire-like Darkling Ash continue their rebellion against a repressive government trying to segregate and ultimately eradicate non-humans. The pair's myopic love woes are a tonal clash with the concentration camp references, the villains exhibit cartoonish lack of nuance, and the alternating narrative voices are indistinguishable. Series fans may enjoy the heightened emotions and nonstop peril, but others should pass.

(Copyright 2013 by The Horn Book, Incorporated, Boston. All rights reserved.)