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Fallen Beauty

ebook
1 of 1 copy available
1 of 1 copy available
“Without sin, can we know beauty? Can we fully appreciate the summer without the winter? No, I am glad to suffer so I can feel the fullness of our time in the light.”
Upstate New York, 1928. Laura Kelley and the man she loves sneak away from their judgmental town to attend a performance of the scandalous Ziegfeld Follies. But the dark consequences of their night of daring and delight reach far into the future.…
That same evening, Bohemian poet Edna St. Vincent Millay and her indulgent husband hold a wild party in their remote mountain estate, hoping to inspire her muse. Millay declares her wish for a new lover who will take her to unparalleled heights of passion and poetry, but for the first time, the man who responds will not bend completely to her will.…
Two years later, Laura, an unwed seamstress struggling to support her daughter, and Millay, a woman fighting the passage of time, work together secretly to create costumes for Millay’s next grand tour. As their complex, often uneasy friendship develops amid growing local condemnation, each woman is forced to confront what it means to be a fallen woman…and to decide for herself what price she is willing to pay to live a full life.

Lovers of the Jazz Age, literary enthusiasts, and general historic fiction readers will find much to love about Call Me Zelda. Highly recommended.” –Historical Novel Society, Editors’ Choice

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    • Kirkus

      February 1, 2014
      Robuck follows her portrait of Zelda and Scott Fitzgerald's turbulent marriage (Call me Zelda, 2013) with another stormy literary portrait--Edna St. Vincent Millay and her relationships with both men and women. In this novel, the narrative voices are presented antiphonally, alternating between Millay (called by her nickname, "Vincent") and Laura Kelley, owner of a dress shop in the small town near Millay's Steepletop estate. In 1928, when the novel opens, Millay is already an established poet and in an open marriage with wealthy Dutch businessman Eugen Boissevain--though "open" is perhaps an understatement: Both Millay and her husband encourage each other to take on lovers, and for Millay, this meant women as well, including the poet Elinor Wylie. In contrast, Kelley has had one brief sexual escapade, on her 19th birthday, and now, as a single mother, is raising her daughter, Grace, in a small and generally unforgiving small town near Steepletop. While Kelley is struggling to survive economically, especially once the townspeople turn their backs on her, Millay and Eugen live a profligate and free-spirited life with friends and lovers. One day, Eugen spots Kelley and knows instinctively that Millay would enjoy wooing her, and much of the rest of the novel is taken up by Millay's advances, sometimes subtle and sometimes conspicuous. Although Kelley, whose brother-in-law has already been seduced by Millay, is not ready to engage in even more scandalous behavior, Millay is a source of lucrative dress orders that Laura finds hard to turn down. So they play an amatory game of cat-and-mouse. But for as captivating as Millay can be, her relationship with Eugen lacks drama, rendering the book less compelling than Robuck's earlier portrayal of Zelda and Scott. Well-written and insightful, with Millay in particular a fascinatingly complex character.

      COPYRIGHT(2014) Kirkus Reviews, ALL RIGHTS RESERVED.

    • Booklist

      January 1, 2014
      In her fourth novel, Robuck weaves together two distinct narrativesthe harrowing account of small-town seamstress Laura Kelley and the fiery escapades of famed poetess Edna St. Vincent Millay, where Robuck's own voice comes most alive. The story begins amid the backdrop of 1928 New York with Laura, her lover, and the Ziegfeld Follies. Beguiled by the glamour and costume of Broadway and the passionate pangs of first love, Laura takes a chance that forever changes her life. Simultaneously, Vincie, restless from the frivolity and unreciprocated romance that accompany her notoriety, searches high and low for her next great muse. Two women on the edgeLaura both the core of town gossip as well as its drudging outcast; Vincie the detached inhabitant of the infamous Steepletopare inevitably brought together by their artistic loves: Laura's for costume design; Vincie's for poetry. Through love and letdown, inspiration and hardship, and sisterhood and rivalry, both Laura and Vincie come to know the blazing beauty that sometimes sparks from even the greatest of mistakes.(Reprinted with permission of Booklist, copyright 2014, American Library Association.)

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