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Spectacle

The Astonishing Life of Ota Benga

ebook
1 of 1 copy available
1 of 1 copy available
"A riveting account of one of the more startling episodes in the . . . history of race in America" (Wall Street Journal).
Ota Benga, a young African man, was featured as an exhibit at the St. Louis World's Fair. Two years later, the New York Zoological Gardens displayed him in its Monkey House, caging him with an orangutan. The attraction became an international sensation, drawing thousands of New Yorkers and commanding headlines from across the nation and Europe.
Spectacle explores the circumstances of Ota Benga's captivity and the international controversy it inspired. Using primary historical documents, Pamela Newkirk traces Ota's tragic existence, from the Congo to St. Louis to New York and finally to Lynchburg, Virginia, where he lived out the remainder of his short life.
Spectacle simultaneously explores New York City during the early years of the twentieth century, a racially fraught era that led to a rising tide of political disenfranchisement and social scorn for African Americans.
Praise for Spectacle
2016 NAACP Image Award Winner
Named a Best Book of the Year by NPR, the Boston Globe, the San Francisco ChronicleThe Root, and the Huffington Post Black Voices
"Here is a gripping and painstaking narrative that breaks new ground. Now, after a century, Benga has finally been heard." —New York Times Book Review
"Deeply researched and thoughtful. . . . Writing with precision and moral clarity, Newkirk indicts a civilization whose 'cruelty was cloaked in civility,' leaving us to examine its remnants." —Boston Globe
"This is an explosive, heartbreaking book. It unfolds with the grace of an E. L. Doctorow novel and spins forward with the urgency of a wild tabloid story." —James McBride, National Book Award–winning author of The Good Lord Bird
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    • Publisher's Weekly

      April 6, 2015
      Newkirk (Within the Veil) centers this meticulously detailed monograph on the life of Ota Benga, a young Congolese man who at the beginning of the 20th century suffered the indignity of being caged with an orangutan at the Bronx Zoo’s Monkey House. Although Benga himself left no written record of his experiences, Newkirk pieces together his story from the texts, photographs, and other records produced by the “lettered elite” whose members were complicit in his capture and display. While other African men and women, including the “Hottentot Venus” Sarah Baartman, had been exhibited to European audiences, Benga’s experience was unusual because it took place not in a “human zoo” but in one devoted to animals, thus depicting this African man not simply as exotic, but as a failure of human evolution. Newkirk places Benga’s story in the context of an ever more segregated and aggressively racist United States, a Europe intent on exploitation of Africa’s human and material resources, and a scientific culture that venerated objective inquiry but refused to question established ideas about race. The book might have benefited from a more effective structure, as it wanders through various times and locations. Nonetheless, readers will be moved, especially when reading about the tragic turns Benga’s life took in the years after he was released.

    • Library Journal

      April 15, 2015

      In 1906, the New York Zoological Gardens unveiled an exhibit that became an international sensation: its Monkey House, inside which was caged a young Congolese man named Ota Benga. Ota was promoted as a "pygmy" and brought to the United States for the sole purpose of serving as an anthropological display. In New York, Ota was presented as half zookeeper, half exhibit, but it's clear that he was generally regarded as more of the latter than the former--particularly by his promoters, many of whom were renowned eugenicists. When African American leaders protested, everyone from well-respected scientists to the New York Times downplayed the outcry. The Times ran an editorial arguing that it was "absurd to make moan over the imagined [...] degradation Benga is suffering. The pygmies are very low in the human scale." What made Ota so "entertaining" for millions of onlookers? This is a question whose answers spoke directly to the dialog of early 20th- century race relations, and award-winning journalist Newkirk presents them with clarity. VERDICT Newkirk gives us more than the tragic story of one Congolese man. She offers a look into the history of American eugenics and the concepts of racial anthropology that have served as the foundation for racial intolerance for generations. Benga's story is one part of a bigger problem--a problem that continues to exist--and Newkirk doesn't allow us to forget him. Nor should she.--Erin Entrada Kelly, Philadelphia

      Copyright 2015 Library Journal, LLC Used with permission.

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