Why Sinatra Matters

September 28, 1998
Like a musical Elements of Style, Hamill's slim meditation on Frank Sinatra is confident, smart and seamless. Since (and immediately before) Sinatra's death in May 1998, countless tributes have been made to the singer; Hamill (A Drinking Life) seems to be writing to set the record straight, for he knew Sinatra and, before that, knew the singer's music. But Hamill doesn't fawn over Sinatra the way other, younger writers have recently done. Rather, he elegantly tells the Sinatra story, dwelling on the singer's best recordings, dismissing "the Rat Pack, the swagger, the arrogance, the growing fortune, the courtiers," because in the end, he writes, they are "of little relevance." What matters, according to Hamill, is the music, chiefly that of Sinatra's early mature years, when the singer released his celebrated albums on the Capitol label. Where a starry-eyed author might vaguely praise these albums for their pathos and vulnerability, Hamill points out that, before the singer's Capitol comeback years, Sinatra's fans were almost exclusively young women. The stubborn, post-Ava Gardner heartache of Sinatra's later records, however, with their lack of self-pity, gained Sinatra a chiefly male audience. Of this, perhaps the singer's greatest musical period, Hamill writes that Sinatra "perfected the role of the Tender Tough Guy.... Before him, that archetype did not exist in American popular culture." That may be true, but Hamill sets his book apart from the many others about Old Blue Eyes by tempering intelligent superlatives with the retelling of touching, revelatory moments the two men shared. Hamill's is a definitive introduction to Sinatra's work.

November 1, 1998
The barrage of recent Frank Sinatra books has resulted in his being the most written-about celebrity in the world after Monroe and Presley. Hamill's slim essay is distinguished from other recent works by its objective focus on the components of the late singer's enduring musical legacy. Veteran writer Hamill (e.g., A Drinking Life, LJ 1/94) is comfortable in the New York City milieu of late nights, saloons, and prizefighters, and he has captured the essence of Sinatra, who created something that was not there before he arrived: an urban American voice. The book's strength is its insight into and evocation of the Italian American immigrant experience that had such a strong influence on Sinatra. Minor weaknesses are an oversimplified examination of prejudice and an underdeveloped 1974 vignette about Ava Gardner that fails to make its point. Recommended for public and academic libraries.--Bruce Henson, Georgia Inst. of Technology, Atlanta

September 15, 1998
A combination biography and cultural analysis by the author of "A Drinking Life" (1993). In Hamill's view, Frank Sinatra was important for two reasons. First, Sinatra represented the fulfillment of the American Dream. A first-generation Italian, young Sinatra experienced anti-immigrant biases firsthand. Yet for all its flaws, America still offered substantial opportunity, and by the time he was 15, Sinatra dreamed of singing professionally. Of course, he accomplished this and more, but throughout, Hamill asserts, Sinatra the superstar never forgot his humble roots. Second, Sinatra gave us a new sound, the "urban American voice." When Sinatra broke onto the scene in the early 1940s, the avuncular and soothing Bing Crosby was "the" singer. But Sinatra's songs were very different, edgier, more passionate, with a fair amount of swagger, yet always returning to what Hamill argues was Sinatra's central theme, loneliness. A heartfelt and intelligent tribute to Ol' Blue Eyes. ((Reviewed September 15, 1998))(Reprinted with permission of Booklist, copyright 1998, American Library Association.)

May 1, 2015

Originally published in 1999 and reissued with a new introduction by longtime Sinatra friend Hamill, this book is "a graceful reminiscence of Sinatra after hours," said critic/playwright Terry Teachout.

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