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Our Spoons Came from Woolworths

ebook
1 of 1 copy available
1 of 1 copy available

“I told Helen my story and she went home and cried.” So begins Our Spoons Came from Woolworths. But Barbara Comyns’s beguiling novel is far from tragic, despite the harrowing ordeals its heroine endures. 
Sophia is twenty-one and naïve when she marries fellow artist Charles. She seems hardly fonder of her husband than she is of her pet newt; she can’t keep house (everything she cooks tastes of soap); and she mistakes morning sickness for the aftereffects of a bad batch of strawberries. England is in the middle of the Great Depression, and the money Sophia makes from the occasional modeling gig doesn’t make up for her husband’s indifference to paying the rent. Predictably, the marriage falters; not so predictably, Sophia’s artlessness will be the very thing that turns her life around.

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    • Kirkus

      Starred review from August 15, 2015
      A Depression-era artist struggles with crippling poverty and sexism in bohemian London; the result is a surprisingly charming and funny novel (first published in 1950). Sophia meets her future husband, Charles, on a train; both are 20 years old and carrying portfolios. When they marry against their families' wishes, Charles' father cuts off his allowance, leaving them with nothing to live on but what Sophia earns working at a commercial studio. To their dismay, she soon finds herself pregnant: "I had a kind of idea if you controlled your mind and said 'I won't have any babies' very hard, then most likely they wouldn't come. I thought that was what was meant by birth-control." Fired for her pregnancy, she cobbles together something less than a living as a model, while Charles paints, parties, schemes to have their son sent to an orphanage, and-typical of the men in Sophia's life-does almost nothing to support them or care for the household. In the years that follow, Sophia allows Charles to talk her into one abortion and later refuses to have another, losing a child to sickness brought on by "stupidity and poverty." She describes her early conversations with a man who will become her lover: "When I talked he listened most intently to every word I said, as if it was very precious. This had never happened to me before, and gave me great confidence in myself, but now I know from experience a great many men listen like that, and it doesn't mean a thing; they are most likely thinking up a new way of getting out of paying their income tax." Frequently too poor to buy food, Sophia often has to choose between keeping her children at home and sending them away to unpleasant relatives who can afford to feed them. Much of the story revolves around issues of reproduction, housework, and economic opportunity that contemporary feminists would see as questions of justice. But Sophia narrates a story of fairy tale-like fatality, casting an amused, self-deprecating light on even the most painful moments.

      COPYRIGHT(2015) Kirkus Reviews, ALL RIGHTS RESERVED.

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  • English

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