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Better Living Through Criticism

How to Think About Art, Pleasure, Beauty, and Truth

ebook
1 of 1 copy available
1 of 1 copy available

The New York Times film critic shows why we need criticism now more than ever

Few could explain, let alone seek out, a career in criticism. Yet what A.O. Scott shows in Better Living Through Criticism is that we are, in fact, all critics: because critical thinking informs almost every aspect of artistic creation, of civil action, of interpersonal life. With penetrating insight and warm humor, Scott shows that while individual critics—himself included—can make mistakes and find flaws where they shouldn't, criticism as a discipline is one of the noblest, most creative, and urgent activities of modern existence.

Using his own film criticism as a starting point—everything from his infamous dismissal of the international blockbuster The Avengers to his intense affection for Pixar's animated Ratatouille—Scott expands outward, easily guiding readers through the complexities of Rilke and Shelley, the origins of Chuck Berry and the Rolling Stones, the power of Marina Abramovich and 'Ode on a Grecian Urn.' Drawing on the long tradition of criticism from Aristotle to Susan Sontag, Scott shows that real criticism was and always will be the breath of fresh air that allows true creativity to thrive. "The time for criticism is always now," Scott explains, "because the imperative to think clearly, to insist on the necessary balance of reason and passion, never goes away."

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    • Publisher's Weekly

      Starred review from November 23, 2015
      This stunning treatise on criticism from New York Times film critic Scott is a complete success, comprehensively demonstrating the value of his art. His first major assertion is that criticism is indeed an art, and that “a work of art is itself a piece of criticism.” From here he moves swiftly, with humor and insight, to show how art works hand in hand with critics’ “activity of loving demystification.” Scott ties criticism to philosophy, most compellingly citing Immanuel Kant’s The Critique of Judgment, which asserts that “the judgment of taste... cannot be other than subjective.” He is equally comfortable discussing Rainer Maria Rilke’s sonnet “Archaic Torso of Apollo” and Marina Abramovic’s performance art piece The Artist Is Present. His most striking observations come in a chapter entitled “How to Be Wrong,” which Scott calls “the one job can actually, reliably, do.” He states that “choosing is the primal and inevitable mistake of criticism” as well as “the gesture that calls it into being.” Included are four “dialogues” in which Scott interviews himself, examining his assumptions and clarifying difficult points. This is a necessary work that may enter the canon of great criticism. Agent: Elyse Cheney, Elyse Cheney Literary Associates.

    • Library Journal

      March 1, 2016

      Scott (film critic, New York Times) offers this volume as a justification for his existence. Through a series of imagined "dialogues" between himself and a theoretical nonsympathetic interlocutor, he sets out to rationalize his career choice, and the existence of criticism in general, by showing how analytical thinking is at the center of life itself--this very centrality making it impossible not to approach art seriously. Coming on the heels of Rita Felski's The Limits of Critique, which strove to bring recognition to critiques' noncentrality--and amid popular reactions against theory throughout the culture wars of the last three decades--Scott has a nice open field to play in here and makes elegant use of the entire terrain, drawing strongly on Immanuel Kant's Critique of Judgment. He beautifully reveals criticism as a valid art form in its own right, pointing to virtuoso achievements in the genre by master poets such as T.S. Eliot and Samuel Taylor Coleridge. VERDICT Whether or not readers who are most likely to question the value of criticism will be the ones to pick up this title, fans of literature and film will enjoy. [See Prepub Alert, 8/17/15.]--Jenny Brewer, Helen Hall Lib., League City, TX

      Copyright 2016 Library Journal, LLC Used with permission.

    • Library Journal

      September 15, 2015

      Critics can get drubbed as much as lawyers or bankers, but as New York Times film critic Scott argues, critical thinking is an essential aspect of our daily activities. Here, he illuminates the critic's endeavor by kicking off with his own reviews, then working his way through Aristotle, Sontag, the Rolling Stones, and more.

      Copyright 2015 Library Journal, LLC Used with permission.

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