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Shock

Audiobook
1 of 1 copy available
1 of 1 copy available

Robin Cook is an esteemed doctor and a best-selling author. Combining his professional expertise and creative talents, he has crafted more than 20 widely popular medical thrillers. Each is an unforgettable journey into the darkest recesses of hospitals and laboratories. In exchange for a generous fee, Deborah and Joanna have donated eggs at the Wingate Fertility Clinic. Months later, the young women are still curious about what has happened to their eggs, so they disguise their appearances and get jobs at the clinic. But instead of answers, they begin to discover experiments in cloning that are more terrifying than anything they could imagine. Shock focuses on what can happen if scientific research is driven by greed rather than ethics. Resonating with the sharp medical details and nonstop action that have become Cook's signature, this novel paints a disturbing vision of the future. Narrator C.J. Critt's performance dramatizes the two women's growing horror as they explore the bizarre, nightmare world of the Wingate Clinic.

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    • AudioFile Magazine
      A title by Robin Cook examining stem cell research, infertility, and human cloning should be a fascinating read. Unfortunately, Cook's plotting this time is heavy-handed and predictable. Deborah and Joanna agree to allow the Wingate Fertility Clinic to harvest their "Ivy League" eggs for $45,000. A year after the procedure, the women return to the clinic to find out how their eggs were used. What they find includes unethical experiments and murder. C. J. Critt does her best with Cook's cumbersome dialogue and stilted diction, managing to infuse energy and humor into her performance. Cook offers an epilogue that promises a resolution that never comes. It does, however, provide the set-up for a sequel. Since neither the heroines nor the villains are particularly interesting, we don't much care. S.J.H. (c) AudioFile 2002, Portland, Maine
    • Publisher's Weekly

      August 27, 2001
      The medical thriller has come a long way since Cook and Michael Crichton invented it: recent practitioners like Tess Gerritson have polished it into a powerful dramatic and social engine. Alas, Cook appears to have gotten off at the wrong station or missed the train entirely, judging by his latest effort, a crudely conceived, ineptly written and—most damning of all—totally unexciting story ripped from old headlines. Things have been going to hell at the Wingate Fertility Clinic, housed in a rambling Victorian mansion near Boston, ever since the gifted Dr. Spencer Wingate decided to take some time off to write a novel and chase women. Not only was he unsuccessful at both activities, but the nasty little replacement he left in charge has been doing some weird stuff—including paying young Harvard women $45,000 for their eggs—and driving down the profits. Spencer returns at the same time as two of these women, Deborah Cochrane and Joanna Meissner, who have been spending their payment on Boston real estate and a year in Venice. Judging by the burly security guards on hand who conveniently dispose of a donor who dies on the operating table (and her friend, too) in the first chapter, Deborah and Joanna aren't about to be greeted with open arms. They manage to join the clinic staff under assumed names, hoping to find out what became of the eggs they contributed. Add a farm straight from The Island of Dr. Moreau, where the Wingate staff experiment on animals when they're not busy applying unethical electric shock treatments to human zygotes, and the result is a medical and literary mess with no redeeming features. Advertising on the
      Today show and CNN; author tour.

    • AudioFile Magazine
      Technology and greed combine to bring the listener to the brink of a futuristic medical nightmare. Except it's not a dream. Kate Burton narrates with a staccato drumbeat that reflects the intrigue and terror thrust upon Deborah and Joanna, two women who decide to become egg donors. Close friends and fellow graduate students, they don't know they're participating in a secret human-hybrid cloning scheme. As Burton provides a skillful narration, with on-target age and gender changes, the listener is drawn into the complex plot. The story is exceptionally well done, and its ending merits its title, leaving the listener in shock as the final credits roll. G.D.W. (c) AudioFile 2002, Portland, Maine

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  • English

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