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From the beloved author of the nationwide best seller Dept. of Speculation—one of the New York Times Book Review's Ten Best Books of the Year—a “darkly funny and urgent” (NPR) tour de force about a family, and a nation, in crisis
Lizzie Benson slid into her job as a librarian without a traditional degree. But this gives her a vantage point from which to practice her other calling: she is a fake shrink. For years she has tended to her God-haunted mother and her recovering addict brother. They have both stabilized for the moment, but Lizzie has little chance to spend her new free time with husband and son before her old mentor, Sylvia Liller, makes a proposal. Sylvia has become famous for her prescient podcast, Hell and High Water, and wants to hire Lizzie to answer the mail she receives: from left-wingers worried about climate change and right-wingers worried about the decline of western civilization.
As Lizzie dives into this polarized world, she begins to wonder what it means to keep tending your own garden once you've seen the flames beyond its walls. When her brother becomes a father and Sylvia a recluse, Lizzie is forced to address the limits of her own experience—but still she tries to save everyone, using everything she's learned about empathy and despair, conscience and collusion, from her years of wandering the library stacks . . . And all the while the voices of the city keep floating in—funny, disturbing, and increasingly mad.
“Offill’s fragmentary structure evokes an unbearable emotional intensity: something at the core of the story that cannot be narrated directly, by straight chronology, because to do so would be like looking at the sun…” —The New York Times
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Creators
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Publisher
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Release date
February 11, 2020 -
Formats
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OverDrive Listen audiobook
- ISBN: 9780525642640
- File size: 108840 KB
- Duration: 03:46:44
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Languages
- English
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Reviews
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Starred review from November 18, 2019
A librarian becomes increasingly obsessed with doomsday preparations in Offill’s excellently sardonic third novel (following Dept. of Speculation). Lizzie, a university librarian working in Brooklyn, already feels overwhelmed with guiding her son, Eli, through New York City’s crowded elementary school system without the extra strain of dealing with her addict brother’s constant crises. Mostly happily married to a computer game designer, Lizzie introduces anxiety into her marriage when she takes a second job answering emails for a former mentor who is now the host of a popular podcast about futurism. Fielding questions from both apocalypse truthers and preppers for the coming climate-induced “scarcity,” Lizzies becomes convinced that doomsday is approaching. Her scattered, frenzied voice is studded with arresting flourishes, as when she describes releasing a fly: “Quiet in the cup. Hard to believe that isn’t joy, the way it flies away when I fling it out the window.” Set against the backdrop of Lizzie’s trips to meditation classes, debates with a taxi driver, the 2016 presidential election, and constant attempts to avoid a haughty parent at Eli’s school, Lizzie’s apocalyptic worries are bittersweet, but also always wry and wise. Offill offers an acerbic observer with a wide-ranging mind in this marvelous novel. -
Narrate Cassandra Campbell is fully believable as she narrates this stream-of-consciousness story told in the protagonist's voice. Lizzie, a university librarian without a degree who fancies herself an amateur shrink, tries to fix the personal disasters of family, friends, and library patrons while obsessing over the doomed future of the world. She has joy in her voice as she interacts with her husband and son, who give her life balance, but as she gets more involved in trying to solve the problems of her divorced mother and her brother, a former addict who is a new father, her voice becomes more detached. As the the character becomes overwhelmed, the narrator seems to, as well. As Lizzie takes over responding to letters to her mentor's podcast, Campbell's voicings of all the characters become less distinct and more distant in tone. N.E.M. © AudioFile 2020, Portland, Maine
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