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The Counterfeit Murder in the Museum of Man

ebook
1 of 1 copy available
1 of 1 copy available

When Norman de Ratour discovers the body of Heinrich von Grümh in a car outside his beloved Museum of Man, he knows he faces a sticky public relations mess. What he doesn't know is that the gun used to kill the honorary curator is his own Smith & Wesson revolver. Implicated, publicly embarrassed, his life's work in danger, Norman becomes the prime per- son on a list of unusual suspects.
Along the way, he both lives with and is aided by Alphus, former denizen of the Primate Pavilion and a creature who has an intellect to be reckoned with as well as a low, finely ar- ticulated opinion of the human species. As Norman endeavors to find the villain and clear his name, he learns that more than coins gets counterfeited -- that people, from the ravishing merry widow Merissa Bonne to the dour Feidhlimidh de Buitliér, are not always what they purport to be.
Replete with institutional spoofery, a plot hedged like a garden maze, and a literate style that treats the English language like the verbal funhouse it is, this third in the Norman de Ratour murder mysteries series sustains the genre invented by Poe while twisting and bending it into new forms.

From the Trade Paperback edition.

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    • Publisher's Weekly

      March 15, 2010
      At the start of Alcorn's uneven third Norman de Ratour mystery (after 2009's The
      Love Potion Murders in the Museum of Man
      ), Norman, the Museum of Man's director and the book's bloviating narrator, discovers a murdered man in a parked car near the museum, located in the New England town of Seaboard. Unfortunately, the victim is “honorary” numismatics curator Heinrich “Heinie” von Grümh, a wealthy MOM contributor. Worse, Heinie turns out to have been shot with Norman's revolver, making him a prime suspect. Meanwhile, Norman must find a new home for a highly articulate chimp, fend off neighboring Wainscott University's efforts to take over the MOM, and look into whether the antique coins Heinie gave the museum are fakes. Alcorn's barbed darts at academia and the rarified world of top-notch museums amuse, but humor alone isn't enough to redeem a rambling tale of wavering morals populated by mostly unattractive characters.

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