Enter Valentino, a mild-mannered UCLA film archivist. In the surreal world of Hollywood filmdom, truth is often stranger than celluloid fiction. When Valentino buys a decrepit movie palace and uncovers a skeleton in the secret Prohibition basement, he's not really surprised. But he's staggered by a second discovery: long-lost, priceless reels of film: Erich von Stroheim's infamous Greed.
The LAPD wants to take the reels as evidence, jeopardizing the precious old film. If Valentino wants to save his find, he has only one choice: solve the murder within 72 hours with the help of his mentor, the noted film scholar Broadhead, and Fanta, a feisty if slightly flaky young law student.
Between a budding romance with a beautiful forensics investigator and visions of Von Stroheim's ghost, Valentino's madcap race to save the flick is as fast and frenetic as a classic screwball comedy. A quirky cast of characters, smart dialogue and a touch of romance make Frames Estleman's most engaging and accessible novel to date.
At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
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Creators
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Series
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Publisher
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Release date
August 31, 2010 -
Formats
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Kindle Book
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OverDrive Read
- ISBN: 9781429930956
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EPUB ebook
- ISBN: 9781429930956
- File size: 304 KB
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Open EPUB ebook
- ISBN: 9781429930956
- File size: 303 KB
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Languages
- English
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Reviews
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Publisher's Weekly
February 11, 2008
Having appeared in 10 short stories in Ellery Queen Mystery Magazine
, self-described “film detective” Valentino, who works as a film archivist at U.C.L.A., makes his novel-length debut in the engaging first of a new series from Shamus-winner Estleman. Valentino stumbles on the find of a lifetime when he inspects the Oracle, a decaying 1920s movie theater he’s considering purchasing. An abandoned storage room contains reels of film that may be the only surviving prints of Erich von Stroheim’s legendary epic, Greed
. The further discovery of a skeleton of unknown vintage in the old building complicates matters. Aided by academic colleagues, Valentino tries to eat his cake and have it, too, by cooperating with the police inquiry into what might be a case of foul play without revealing the existence of the film reels, which he fears might be damaged if seized as evidence. While the lighthearted tone is far removed from the gritty realism of the author’s Amos Walker series (American Detective
, etc.), the versatile Estleman has crafted yet another intelligent page-turner.
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