A Conspiracy of Paper

Starred review from January 31, 2000
This remarkably accomplished first novel, by a young man still completing his doctoral dissertation at Columbia, has a great deal going on. It is at once a penetrating study of the beginnings of stock speculation and the retreat from a mineral-based currency in early 18th-century London, a sympathetic look at the life of a Jew in that time and place and a vision of the struggle between the Bank of England and the upstart South Sea Company to become the repository of the nation's fiscal faith. If all that sounds daunting, it is above all a headlong adventure yarn full of dastardly villains, brawls, wenches and as commanding a hero as has graced a novel in some time. He is Benjamin Weaver, a Jewish former boxer who had once abandoned his family, and virtually his faith, too, for a life on the fringes of criminal society as a kind of freelance bailiff who brings debtors to book for their creditors. When his uncherished father dies suddenly, however, and he has reason to suspect the apparent accident was actually murder, he plunges himself into a hunt for those responsible, and in the process changes his life. With his native cunning and his brawling skills, he soon finds himself deeply embroiled with the villainous Jonathan Wild, thief-taker par excellence, who has institutionalized criminal mayhem. He also becomes the pawn of some powerful financial giants lurking in the shadows (much like the corporate villains in contemporary thrillers), comes to suspect his glamorous cousin Miriam of actions unbecoming a lady and employs the wiles of his philosophical Scottish friend Elias to decode the mysterious ways of finance and the laws of probability. The period detail is authentic but never obtrusive; the dialogue is a marvel of courtly locution masking murderous bluntness; and the plot, though devious in the extreme, never becomes opaque. It seems clear that Weaver is being set up as a series hero, which can only be good news for lovers of the best in dashing historical fiction. Agent, Liz Darhansoff.

November 1, 1999
A Jew in 18th-century London who roams the underworld, shaking out debtors for the city's gentry, hunts for the murderer of his estranged father. Since first-timer Liss is a doctoral candidate at Columbia University whose dissertation will show how 18th-century fiction shaped and was shaped by issues of personal finance, he should know whereof he speaks.

Copyright 1999 Library Journal, LLC Used with permission.

Starred review from January 1, 2000
Set in a vividly realized eighteenth-century London, detective Benjamin Weaver, a Jew, former prizefighter, and a bit of a wise guy, an inspired creation, is such an outsider he can credibly go anywhere, from a seamy tavern to raucous Exchange Alley, the Wall Street of its day, to the snuff-and-wig set of a gentleman's club. Here Weaver takes a break from tracking down thieves (his bread and butter) to investigate the death of his father, a stock trader from whom he has long been estranged. As with all great mysteries, Weaver's search takes him deep into places both new, such as London's burgeoning financial markets, and personal, such as the Jewish community, which he long ago abandoned. Although a financial boom fueled by a new economy or a personal struggle with ethnic identity may seem awfully contemporary, Liss keeps us firmly in another time. A first-time novelist and doctoral candidate, Liss made a lot of smart choices: the language is a charming eighteenth-century lite, but the pacing is completely modern; the book crackles with period detail, yet the immense research never shows. And if the reader gets a bit confused with the plot at times, that's OK--the company is terrific. One can only hope that Liss isn't finished with Benjamin Weaver. A must for all public library collections. ((Reviewed January 1 & 15, 2000))(Reprinted with permission of Booklist, copyright 2000, American Library Association.)

September 1, 2001
It's good news when your first novel is called "engaging" by the New York Times and "tremendously elegant... and entertaining" by Newsweek, as happened with Liss's 2000 tale of money and murder in 18th-century London.

Starred review from January 1, 2000
London in 1719 is full of prostitutes and bankers, thieves and stock-jobbers who rub shoulders in the convoluted alleys and coffee houses around the Royal Exchange. Then and there, it's not impossible that a merchant suffering reverses kills himself or that a day later a Jewish stock-jobber is run down by a carriage. However, when the merchant's son asks the stock-jobber's son, Benjamin Weaver, to look into both deaths, these fatalities begin to look related and deliberate. As Weaver investigates his father's death, he finds himself deeply embroiled in the bitter political and economic wrangle between the Bank of England and the South Sea Company and the thieves, merchants, stock-jobbers, noblemen, and financiers who all have myriad competing claims. With the exception of some confusing flashbacks that slow the pace, first novelist Liss does a superb job of bringing to life 18th-century London and illuminating the issues of the day--e.g., tension between Christian and Jew--for a modern audience. Highly recommended. [Previewed in Prepub Alert, LJ 11/1/99.]--Cynthia Johnson, Cary Memorial Lib., Lexington, MA

Copyright 2000 Library Journal, LLC Used with permission.